Vancouver based engineer/producer Greg Reely began his career early in the 1980's most prominently as a live sound engineer with artists such as 'Images in Vogue', 'Skinny Puppy' and '54-40'. Well known on the west coast indie scene, it was not long before Greg began producing and recording artsist such as 'Moev', 'The Grapes of Wrath' and eventually 'Sarah McLachlan' for the then growing independent Nettwerk Productions.

Perhaps best known for his long time work with Nettwerk Productions and Industrial and Electronic artists such as 'Frontline Assemby', 'Delerium' and 'Fear Factory', Greg continues to work with a wide range of international recording artists in all musical genres.

Primarily a mix and remix engineer these days, 2005 saw a number of the projects completed, including Conjure One's 'Extraordinary Ways', Paper Moon's 'Broken Hearts Break Faster Every Day', Theatre of Tragedy's 'Storm', and Noise Unit's 'Voyeur'.

As of May 2006 Greg completed mixing on the new Front Line Assembly album 'Artificial Soldier' for Metropolis Records, a new album mix for Delight, a band from Poland that Rhys Fulber produced for Roadrunner Germany, and the new Delerium album (as yet untitled) for Nettwerk Records. He's now mixing a solo piano & vocal album by Lisbeth Scott . She was the featured vocalist for the John Debney score to the film 'The Passion of The Christ' as well as the featured vocalist and songwriter for the Disney film 'The Chronicles of Narnia: The Lion, The Witch and The Wardrobe', not to mention a featured vocal in the score for Spielberg's film 'Munich'. The latter half of June will be spent mixing Fauxliage, the new collaboration between Bill Leeb & Rhys Fulber, featuring Leigh Nash on vocals.

When he's not in the studio, you can find Greg out on the links doing what he does best - meticulously tweaking!!